What I know is that it’s a damned chore to carve out time to work. But having said that, I did get the better part of a day to myself at the cabin last weekend while George set up some new snares (50 of ’em!) in one of our wolf sets. So that gave me a bunch of very quiet hours in the cozy Bear Root Creek cabin. I packed a lot of supplies into my bags and managed to get everything there in one piece despite the -30 ish temperatures. There was sufficient light to do most of the work by the natural light at the window and I only had to use a head lamp for a few little bits. Overall, I was darned happy with the whole thing.
I’ve just uploaded my concertina sketchbooks from Exercise 4.1 and I have to say that I had a lot of fun with most of that exercise. I didn’t totally love working with pencil crayons despite my familiarity with the media. I think I just really like working in monochromatic palettes but at the behest of my tutor, I’ve been trying to expand my palette to include actual colours.
In exercise 4.1, I’m encouraged to reflect on how the two (or three, in my case) sketchbooks compare. I liked my first one the best. The one that tells parts of the story of our trip to the Bahamas last Valentines Day. Part music festival, part kayaking trip to a deserted island or five. I loved using the grey-toned markers, especially on the brush end. I love the way the brush tip allows me to vary the thickness of the lines and the range of grey tones allow me to play with depth and shadow in ways that I find colour illustrations to be challenging and easily over-worked.In the sketchbook where I illustrated the landscape of my desk using India ink and an assortment of brushes, this is my second most preferred book. I enjoyed varying the saturation of the black tones for reasons similar to the book I spoke of in the paragraph above. I also liked using brushes of varied thickness. I was able to experiment with tone and shape. This was a lot of fun and full of experimentation for me. I didn’t spend too much time considering my movements and definitely put more effort into spontaneous mark making.
The third book was my attempt at exploring a varied palette while using coloured pencils. I was personally underwhelmed by the result but was happy that I tried something different which felt a little uncomfortable. It was definitely valuable to go into this sketchbook with a sense of uncertainty as to the potential outcome. I am pleased with the illustrations themselves, just not so much the unrestrained range of colours. But for me, the point was to explore the inclusion of colour. I stretched myself and while I don’t LOVE the outcome, I do love that I did something different and have incorporated tutor feedback into my work.